SCROLL TO SEE MY WORK

SCROLL TO SEE MY WORK ✦



films

THE LAST BLACK DINOSAUR (2023) - IN FESTIVALS

SHORT/DRAMA/HORROR

POSITION: CO-PRODUCER

LOGLINE: WHAT IF A COP TRAVELS IN TIME TO LEARN ABOUT THE PAST, PRESENT, AND FUTURE OF A BLACK MAN HE KILLED?

LESSONS LEARNED: CREW MANAGEMENT, HOW TO ESTABLISH A GOOD COMMUNICATION SYSTEM AS WELL AS RELATIONSHIP BETWEEN ABOVE AND BELOW-THE-LINE CREW. HOW TO ESTABLISH BOUNDARIES WORKING WITH ANOTHER PRODUCER.

WON DGA 29TH ANNUAL STUDENT FILM AWARDS (2023). OFFICIAL SELECTED IN ATLANTA FILM FESTIVAL (2024).

PROJECT: SUNFLOWERS (2022) - IN FESTIVALS

SHORT/DRAMA

POSITION: WRITER/DIRECTOR

LOGLINE: SUNFLOWERS FOLLOWS HIMAWARI SAITO, A YOUNG JAPANESE-AMERICAN GIRL STRUGGLING IN THE AFTERMATH OF A TRAGIC ACCIDENT THAT TEARS HER FAMILY APART.

LESSONS LEARNED: FIRST DIRECTORIAL PROJECT, WORKING WITH A LARGE CAST, HOW TO BUILD UP EMOTIONAL STORY, HOW TO DIRECTOR EMOTIONAL SCENES.

WON BEST-STUDENT INDIE SHORT AT INDIEX FILM FEST 2022.

NOMINATED FOR BEST INDIE SHORT, AND BEST STUDENT DIRECTOR (MALE) AT INDIE SHORT FEST 2022.

ROLLIES THE MUSICAL (2024) - IN POST-PRODUCTION

SHORT/MUSICAL

POSITION: WRITER/DIRECTOR

LOGLINE: A 1990’s MUSICAL LOVE STORY BETWEEN TWO TEENAGERS AT A LOCAL ROLLER-SKATING RINK.

LESSONS LEARNED: WRITING A MUSICAL, COORDINATING WITH CHOREOGRAPHERS AND COMPOSERS, DIRECTED EXTRAS-HEAVY PRODUCTION.

ANIMAL (2023)

SHORT/ACTION

POSITION: DIRECTOR

LOGLINE: TWO BROTHERS SEEK JUSTICE WHILE FACING THE HORROR FROM THEIR PAST.

LESSONS LEARNED: WORKING WITH FOREIGN ACTORS, WORKING WITH A MICRO-BUDGET PRODUCTION (LESS THAN $500), AND WORKING WITH STUNTS.

BURN THE WITCH (2023 - FRANCE) - IN POST-PRODUCTION

SHORT/COMEDY/PERIOD-PIECE

POSITION: PRODUCER

LOGLINE: A 17TH-CENTURY COMEDY ABOUT FOUR WITCHES-SISTERS VERSUS AN ENTIRE PROVINCIAL VILLAGE.

LESSONS LEARNED: PRODUCING IN A FOREIGN COUNTRY (FRANCE), MANAGED 70 CAST/CREW, ART AND COSTUME HEAVY PRODUCTION (17TH CENTURY).

ORANGE (2022) - IN DISTRIBUTION

SHORT/HORROR

POSITION: DIRECTOR

LOGLINE: ORANGE AND SKIN, BE CAREFUL WHICH ONE YOU’RE PEELING.

LESSONS LEARNED: 4-PERSON CAST & CREW WITH A $30 BUDGET. LEARNED HOW TO UTILIZE SURROUNDING HOUSEHOLD OBJECTS FOR PROPS, AND HOW TO UTILIZE NATURAL SUNLIGHT TO LIGHT UP A SCENE.

HOW I SHINE (2022)

SHORT/DRAMA

POSITION: WRITER/DIRECTOR

LOGLINE: A RECENTLY ESTABLISHED WRITER FINDS HERSELF DEALING WITH A TRAGEDY THAT HEAVILY IMPACTS HER LIFE, LEADING HER TO SEEK OUT COMFORT IN THE WORLD OF FANTASY.

LESSONS LEARNED: WORKED WITH MINIMAL CREWS, MICRO-BUDGET, AND LIMITED RESOURCES, MULTIPLE LOCATION CHANGES AS WELL AS LOCATION CHALLENGES.

THE HOUSE ON CAIN’S STREET (2022) - IN POST-PRODUCTION

SHORT/HORROR

POSITION: WRITER/DIRECTOR

LOGLINE: TWO BROTHERS MOVE INTO A NEW HOUSE, AND THEY SOON DISCOVER THAT THEIR PRESENCE IS ACCOMPANIED BY SOMETHING WICKED.

LESSONS LEARNED: HOW TO MANAGE WORK/LIFE BALANCE, DIRECTING PSYCHOLOGICAL HORRORS, BUILDING UP TENSIONS, AND ESTABLISHING THE MAIN TONE/MOOD OF THE FILM THROUGH THE PERFORMANCES OF THE ACTORS.

A JOURNEY TO PARADISE (2022)

SHORT/HORROR

POSITION: WRITER/DIRECTOR

LOGLINE: PRISCILLA, A TRAVELER WHO WANDERS INTO THE UNKNOWN DREAM-LIKE WORLD.

LESSONS LEARNED: MINIMAL CREWS AND BUDGET, UTILIZING AVAILABLE LOCATIONS AND LIMITED RESOURCES.

CANCELED (2022)

SHORT/COMEDY

POSITION: WRITER/DIRECTOR

LOGLINE: A RECENTLY CANCELED ACTRESS DEALS WITH THE AFTERMATH OF HER TRAGEDY.

LESSONS LEARNED: WORK WITH A $20 BUDGET, AND PRACTICE HOW TO UTILIZE AVAILABLE LOCATIONS AND AVAILABLE SET DECORATIONS.

NGUYEN "CARROT" HO

NGUYEN "CARROT" HO ✦



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